{"id":665,"date":"2015-11-11T10:00:00","date_gmt":"2015-11-11T10:00:00","guid":{"rendered":"https:\/\/kdm.akbild.ac.at\/?p=665"},"modified":"2024-04-04T19:35:36","modified_gmt":"2024-04-04T19:35:36","slug":"youve-seen-me-before-ii-between-appropriation-and-deja-vu","status":"publish","type":"post","link":"https:\/\/kdm.akbild.ac.at\/?p=665","title":{"rendered":"Exhibition: You&#8217;ve Seen Me Before II &#8211; Between Appropriation and D\u00e9j\u00e0-vu"},"content":{"rendered":"\n<div style=\"height:2px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Projektionen &amp; Performances von Studierenden der Klasse f\u00fcr Kunst und Medien, Akademie der bildenden K\u00fcnste Wien<\/p>\n\n\n\n<p>Wednesday Nov. 11 &#8211; 19:00 pm @ Mumok Kino, Museum moderner Kunst Wien, Museumsplatz 1, 1070 Wien<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"445\" src=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger.jpg\" alt=\"\" class=\"wp-image-666\" style=\"width:706px;height:auto\" srcset=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger.jpg 612w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger-300x218.jpg 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><figcaption class=\"wp-element-caption\"><em>Johannes Gierlinger aus \/ from: A Subsequent Fulfilment of a Pre-historic Wish, 2015<br>Courtesy Johannes Gierlinger<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Im Kontext des kuratorischen Projekts Bl\u00fchendes Gift. Zur feministischen Appropriation des \u00f6sterreichischen Unbewussten entstanden in Kooperation mit Studierenden der von Constanze Ruhm geleiteten Klasse Kunst und Medien an der Akademie der bildenden K\u00fcnste Wien filmische und performative Produktionen, die sich auf einzelne Werke aus der mumok Sammlung beziehen. Die Ergebnisse dieser Auseinandersetzung mit Arbeiten von der klassischen Moderne bis zur Gegenwart sind zwischen Projektion und Performance angesiedelt. Sie werden an zwei Abenden im mumok Kino pr\u00e4sentiert. Mit Beitr\u00e4gen von Cana Bilir-Meier, Dmytro Fedorenko, Johannes Gierlinger, Ipek Hamzaoglu, Jessyca R. Hauser, Philipp Hauss, Elisabeth Kihlstr\u00f6m, Lisa Lampl, Sanja Lasic, Sarah Lehnerer, Marlene Maier \/ Michael Simku, Ulrich A. Reiterer, Christiana Perschon, Lilly Pfalzer \/ Sergio Valenzuela, Lisa Stuckey, Katharina Swoboda, Lorenz Troebinger, Julija Zaharijevi\u0107, ZAVOLOKA und Julia Znoj<br>_____<br>Vorgestellt von Barbara Kapusta, Axel Stockburger &amp; Constanze Ruhm<br>_____<br>\u20ac 6,\u2013 \/ erm\u00e4\u00dfigt \u20ac 4,50<br>_____<\/p>\n\n\n\n<p>Lilly Pfalzer \/ Sergio Valenzuela, Edit me again, 2015 Performance, 15:00 min<br>Zu: Rimma Gerlovina \/ Valeriy Gerlovin, Costumes, Performance, 1977<\/p>\n\n\n\n<p>Ipek Hamzaoglu, Retrograde in Circles, 2015, HD Video, 15:30 min<br>Zu: Keren Cytter, Dreamtalk, 2005, Filminstallation, Farbe, Ton, 11:19 min<\/p>\n\n\n\n<p>Johannes Gierlinger, A Subsequent Fulfilment of a Pre-historic Wish, 2015, 16mm Film transferiert auf HD, 09:00 min, 2015<br>Zu: Ana Mendieta, Silueta Series (1973\u20131980) (Nicht in der mumok Sammlung)<\/p>\n\n\n\n<p>Cana Bilir-Meier, YORGUN SAVA \u015e\u00c7I 28229 \/ 2, 2015, Lecture-Film-Perfomance, 15:00 min<br>Zu: G\u00fcls\u00fcn Karamustafa, Men Crying, 2001, 3-Kanal-Videoinstallation, s\/w, Ton<\/p>\n\n\n\n<p>Katharina Swoboda, Pelzvogelkasten, 2015, HD Video, 05:00 minZu: URSULA (Ursula Schulze-Blum), Pelzvogelkasten, 1968, Pelz, Nadeln, Perlen und andere Materialien, 73 cm x 60 cm x 50 cm<\/p>\n\n\n\n<p>Philipp Hauss, Performance test\/Brus-Anwendung, 2015, HD Video, 14:30 min<br>Zu: G\u00fcnther Brus, Zerreissprobe, 1970, 16mm Film transferiert auf DVD, Farbe, Ton, 15:09 min<\/p>\n\n\n\n<p>Jessyca R. Hauser \/ Lisa Stuckey, ANTI PREDATOR ADAPTATION, 2015, HD Video, 25:00 minZu: Andrea Fraser, Projection, 2008, 2-Kanal-Videoinstallation: Farbe, Ton, 40:00 min<\/p>\n\n\n\n<p>Sanja Lasi\u0107, \u0110ENANA, 2015, HD Video, 05:00 min<br>Zu: Anna Artaker, UNBEKANNTE AVANTGARDE, 2008, zehn historische Gruppenfotos, zehn begleitende Legenden<\/p>\n\n\n\n<p>Marlene Maier \/ Michael Simku, Would You Buy This?, 2015, Lecture-Performance mit Marie-Ya\u00e9 Suematsu, 15:00 min Zu: Katya Sander, Double Cinema, 2000, Videoinstallation, Farbe, Ton, 2 x 13:00 min<\/p>\n","protected":false},"excerpt":{"rendered":"<a href=\"https:\/\/kdm.akbild.ac.at\/?p=665\"><img width=\"612\" height=\"445\" src=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger.jpg\" class=\"featured-image wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger.jpg 612w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/04\/johannes_gierlinger-300x218.jpg 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/a><p>WED 11.11.2015 | 7pm<\/p>\n<p>Im Kontext des kuratorischen Projekts Bl\u00fchendes Gift. Zur feministischen Appropriation des \u00f6sterreichischen Unbewussten entstanden in Kooperation mit Studierenden der von Constanze Ruhm geleiteten Klasse Kunst und Medien an der Akademie der bildenden K\u00fcnste Wien filmische und performative Produktionen, die sich auf einzelne Werke aus der mumok Sammlung beziehen.<\/p>\n","protected":false},"author":2,"featured_media":666,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=665"}],"version-history":[{"count":3,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions\/669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/media\/666"}],"wp:attachment":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}