{"id":659,"date":"2018-11-15T10:00:00","date_gmt":"2018-11-15T10:00:00","guid":{"rendered":"https:\/\/kdm.akbild.ac.at\/?p=659"},"modified":"2024-04-04T19:17:01","modified_gmt":"2024-04-04T19:17:01","slug":"talk-roberto-winter","status":"publish","type":"post","link":"https:\/\/kdm.akbild.ac.at\/?p=659","title":{"rendered":"Artist Talk: Roberto Winter"},"content":{"rendered":"\n<div style=\"height:3px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Thursday Nov 15 &#8211; 19:00 Media Class, 1st Floor Semper Depot<\/strong><\/p>\n\n\n\n<p>From October 2018 to January 2019 Roberto Winter is Artist in Residence at the Academy and will be affiliated with the Studio of Art and Digital Media.<\/p>\n\n\n\n<p><strong>Roberto Winter<\/strong> lives and works in S\u00e3o Paulo, Brazil and holds a Bachelor degree in Physics from the University of S\u00e3o Paulo. In his artistic practice he tries to engage in the production of things that could make the current state of affairs graspable, explicit, unbearable and, eventually, help lead to its inexorable overcoming. A production which stems from \u2013 and ends in \u2013 the concrete realities of words, objects and materials \u2013 and their absences, guided by questions such as: Do time and space exist? How so? Are there inescapable intrinsic material truths to things? What seems absent could also not be non-existent (ideology)? Is a disassembly of the void into the material realm (and vice-versa) a possible way of achieving critique? How does one engage the spectacle, the pornography of freedom and autonomy: ideology in social, cultural, political, economic and artistic fields?<br><\/p>\n\n\n\n<p>Recent productions include the feature film&nbsp;<em>Reverse proxy<\/em>&nbsp;(in collaboration with Guilherme Peters) and, more recently, the short video&nbsp;<em>A role play<\/em>, which was part of the solo show&nbsp;<em>Default<\/em>&nbsp;hosted by Mendes Wood DM in S\u00e3o Paulo. Lectures such as&nbsp;<em>2028<\/em>&nbsp;(on the future of Facebook, Cambridge Analytica and the influence of social networks on politics was presented as part of&nbsp;<em>Frestas &#8211; art triennial<\/em>&nbsp;at SESC Sorocaba),&nbsp;<em>Addicted&nbsp;<\/em>(on the psychology of Facebook as form of Skinner\u2019s Box and its variable ratio reward schedule, presented during&nbsp;<em>Breaking the system&nbsp;<\/em>hosted at Al Janiah, S\u00e3o Paulo) and&nbsp;<em>A couch in the middle of the street<\/em>&nbsp;(on Tiqqun and the political impact of social networks, as part of&nbsp;<em>Citizens, go home!&nbsp;<\/em>at Centro Cultural Oswald de Andrade). He helped organize&nbsp;<em>1111001<\/em>, in which artists gave talks about paintings created one hundred or more years ago. He is currently one of the editors of the art criticism magazine&nbsp;<em>Dazibao<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THU 15.11.2018 | 7pm<\/p>\n<p>Roberto Winter lives and works in S\u00e3o Paulo, Brazil and holds a Bachelor degree in Physics from the University of S\u00e3o Paulo. In his artistic practice he tries to engage in the production of things that could make the current state of affairs graspable, explicit, unbearable and, eventually, help lead to its inexorable overcoming. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-659","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=659"}],"version-history":[{"count":2,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/659\/revisions"}],"predecessor-version":[{"id":661,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/659\/revisions\/661"}],"wp:attachment":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}