{"id":443,"date":"2019-01-25T10:00:00","date_gmt":"2019-01-25T10:00:00","guid":{"rendered":"https:\/\/kdm.akbild.ac.at\/?p=443"},"modified":"2024-03-29T15:20:10","modified_gmt":"2024-03-29T15:20:10","slug":"rundgang-2019","status":"publish","type":"post","link":"https:\/\/kdm.akbild.ac.at\/?p=443","title":{"rendered":"Rundgang 2019"},"content":{"rendered":"\n

If the door is too small for you, well then walk through the wall.<\/strong><\/p>\n\n\n\n

\"\"
Gusner Iris, Die Taube auf dem Dach, 1973\/2010, colour still, (c) DEFA Stiftung<\/em><\/figcaption><\/figure>\n\n\n\n
    \n
  • PERFORMANCES – Friday Jan 25 – 6 pm – KDM class space<\/strong><\/li>\n\n\n\n
  • SCREENING – Saturday Jan 26 – 6 pm – Topkino, Rahlgasse 1,<\/strong> 1060 Vienna – free entry<\/strong><\/li>\n\n\n\n
  • PERFORMANCES – Sunday Jan 27 – 2 pm – KDM class space<\/strong><\/li>\n\n\n\n
  • ZINE ZONE & EXHIBITION in the class space<\/strong>
    <\/li>\n<\/ul>\n\n\n\n

    Based on the semester theme titled \u201eLes r\u00e9sultats du f\u00e9minisme \u2013 Feminist Cinema, Feminist Aesthetics,\u201c the department for Art and Digital Media presents performances, films and artist zines. Feminist filmmakers from the 1960s to the 1980s as well as the development of alternative narrative aesthetics are in the focus of the KDM class this semester. \u201eIf the door is too small for you, well then walk through the wall,\u201c as protagonist Linda Heinrichs laconically put forward in Iris Gusner’s film “The Dove on the Roof” (1972), becomes the motto for the artists as well as for the audience: a self-confident questioning of existing structures, a calling to break up pre-fabricated (narrative) frame-works and to develop new points of view.<\/p>\n\n\n\n

    As a common project, the students create a space for feminist references – an installation made up of Artist Zines: referential texts, adaptations of their works in printed form, scripts for upcoming films and more. In addition to the exhibition in the class, there is a performance program (25\/01) as well as a film screening at topkino (26\/01) featuring current filmic works by students, as well as the Brazilian artist Roberto Winter, who is currently artist in residence at the Academy.<\/p>\n\n\n\n

    ZINE ZONE<\/strong>
    Concept: Djoana Gueorguieva, June Drevet, Nils Gabriel<\/p>\n\n\n\n

    Filmmaker Ula St\u00f6ckl writes: Feminism is an open concept, as are feminist film and film analysis. Only mutually inspiring diversity guarantees the necessary openness and the long-term goal of abolishing gender as a category and not hardening it biologically. Against the background of a genealogy of German-language feminist film, in the ZINE ZONE we show in FANZINE format snippets of thoughts on what we have seen or produced – short, rough-and-ready, and to spread. Each Fanzine is to take away, there will be a donation box.<\/p>\n\n\n\n

    Zines by: Anna Barbieri, Chiara Bartl, Viktoria Bayer, June Drevet, Rebecca Fuxen , No\u00ebl Gaar, Nils Gabriel, Djoana Gueorguieva , Vit\u00f3ria Monteiro, Leonie Huber, Pille-Riin Jaik, Jonida La\u00e7i, Marie Luise Lehner, Martin Rovan, Lorenz Tr\u00f6binger, Julia & Clara von Schantz, Julija Zaharijevi\u0107<\/p>\n\n\n\n

    EXHIBITION in the class space<\/strong>
    A | M | K , Chiara Bartl , Hicran Ergen , No\u00ebl Gaar, Djoana Gueorguieva, Vit\u00f3ria Monteiro, Ekaterina Kormilitsyna, Julia & Clara von Schantz, Julija Zaharijevi\u0107<\/p>\n\n\n\n

    <\/p>\n\n\n\n


    PERFORMANCES FRIDAY, 25th of January<\/strong><\/p>\n\n\n\n

    KDM Class, 1st floor, L\u00e9hargasse 6-8, 1060 Vienna

    18:00<\/strong> Bar<\/strong><\/p>\n\n\n\n

    (concerts start exactly on time)<\/p>\n\n\n\n


    18:30<\/strong> Dritte Hand<\/strong><\/p>\n\n\n\n

    Dritte Hand is an Austrian music group who emerged from the Vienna music underground three years ago. The characters starring in their lyrical stories often seem to resemble the desperate, joyful, dazed and mythical personalities who appear among the audience of Viennese caf\u00e9 and bars. Although the main language is German, a lot of songs are sung in local Austrian dialects, thus preserving cultural inheritance and developing it further.<\/p>\n\n\n\n

    19:00<\/strong> Double-Sided Mirror Blade – Julija Zaharijevi\u0107<\/strong><\/p>\n\n\n\n

    Double-Sided Mirror Blade is a spoken word performance. Julija Zaharijevi\u0107 presents a poem about a certain I and that I\u2019s friend Sascha. The poem discusses a short excerpt of their lives\u2014namely, a period of eight consecutive days. The relationship of the characters seems to be spontaneous, close and long established. The relationship is also somewhat ambiguous, or at least it used to be in the past. Additionally, while performing Zaharijevi\u0107 is dressed like a Harley Davidson biker woman. The notions of
    autobiography and fiction, and their construction are the central thoughts of this performance.
    <\/p>\n\n\n\n

    19:15 BEEP DADA #1 – Hicran Ergen & Sebastian Meyer<\/strong><\/p>\n\n\n\n

    In her collaborative live performance series ‘BEEP DADA’ Hicran Ergen uses music as a medium to explore a past state of mind that cannot be retrieved due to memory loss: Blackout. A state, where the body is not able to entirely execute the commands of the brain, yet leaves abstract marks, that are impossible to decode, but could be followed as traces to envision the failed journey of data through the neural paths. The 1st edition of BEEP DADA will be accompanied by multimedia artist Sebastian Meyer.
    <\/p>\n\n\n\n

    19:45 Long Distance – Djoana Gueorguieva<\/strong><\/p>\n\n\n\n

    Long Distance is an experimental performance with interactive children’s games in an effort to communicate the difficulties which long distance can pose to communication despite technology.<\/p>\n\n\n\n


    20:15 Pollution in the Chest – Pille-Riin Jaik & Klaus Rabeder<\/strong><\/p>\n\n\n\n

    Untranslatable, unholdable spoken words with seemingly, endlessly darkening music. An attempt of speaking in transcending tongue of feelings. An experimental sound performance dealing with the loneliness of modern and migrant souls.<\/p>\n\n\n\n


    20:30 POP:SCH<\/strong><\/p>\n\n\n\n

    \u201cIf Peaches and Kim Wilde had a child, it would be called POP: SCH. The music of POP:SCH is so terribly catchy, that you want to run away, and so sympathetic anarchist that you want to scream out loud!” (L-Mag, Berlin)<\/p>\n\n\n\n


    21:00 Die Fitten Titten<\/strong><\/p>\n\n\n\n

    Prepare your perception for the Lo Fi-electro-pink-punk artist band \u201eDie Fitten Titten\u201c. Performative and raw, they declare with rambunctious lion roarings the finest wig to have three arms and a toothbrush! Fried and fit, they played hide and seek with the orchestra VKKO at Milla Club, Munich and at Panama Plus – gave birth to Vienna at Fluc, Einbaum\u00f6bel, Chelsea and the 365 festival. They will sing some butter!<\/p>\n\n\n\n

    ________<\/p>\n\n\n\n

    SCREENING SATURDAY, 26th of January<\/strong><\/p>\n\n\n\n

    Topkino Wien, Rahlgasse 1, 1060 Vienna
    Free Entry<\/p>\n\n\n\n

    18.00 \u2013 Roberto Winter (Artist in Residence) – A role play<\/strong><\/p>\n\n\n\n

    approx. 43 min, 2017, video (color, stereo sound)<\/p>\n\n\n\n


    19.00 \u201eWenn Ihnen die T\u00fcr zu klein ist, \u2026\u201c<\/strong><\/p>\n\n\n\n

    Works by student\u2019s from the KDM class<\/p>\n\n\n\n


    Geh Vau\/Sexual Intercorse (Preview) \/\/ 2019<\/strong><\/p>\n\n\n\n

    Marie Luise Lehner \/\/ 20 Min<\/p>\n\n\n\n


    bad \/\/ 2018<\/strong><\/p>\n\n\n\n

    Selin Karaman \/\/ 6 min.<\/p>\n\n\n\n

    thing, going viral – a conspiracy theory \/\/ 2018<\/strong><\/p>\n\n\n\n

    Anna-Sofie Lugmeier \/\/ 7:15 Min<\/p>\n\n\n\n


    Still of a house \/\/ 2018<\/strong><\/p>\n\n\n\n

    Pille-Riin Jaik \/\/ 4:05 Min<\/p>\n\n\n\n


    Uncomfortable Pair of Shoes \/\/ 2018<\/strong><\/p>\n\n\n\n

    Lorenz Tr\u00f6binger \/\/ 5 Min<\/p>\n\n\n\n


    PRIVATE CONVERSATIONS \/\/ 2018<\/strong><\/p>\n\n\n\n

    Ekaterina Kormylitsina \/\/ 6 min<\/p>\n\n\n\n


    I didn\u2019t come here to perform \/\/ 2018<\/strong><\/p>\n\n\n\n

    Viktoria Bayer \/\/ 5:15<\/p>\n\n\n\n


    Die ultimative Frage auf alle Antworten \/\/ 2018<\/strong><\/p>\n\n\n\n

    Michael G\u00fclzow \/\/ 12 Min<\/p>\n\n\n\n


    U – Y is determined A | M | K \/\/ 2018<\/strong><\/p>\n\n\n\n

    Adele Knall \/\/<\/p>\n\n\n\n

    ________<\/p>\n\n\n\n

    PERFORMANCES SUNDAY, 27th of January<\/strong><\/p>\n\n\n\n

    in KDM classroom<\/p>\n\n\n\n

    14:15 Sie besch\u00e4ftigt sich mit – Leonie Huber<\/strong><\/p>\n\n\n\n


    Performative guided tour through the exhibition. The tour will be held in German and is open to everyone. Please sign up via email to siebeschaeftigtsichmit@gmail.com stating your personal interests.<\/p>\n\n\n\n


    15:00 Im Blick – Marie Luise Lehner<\/strong><\/p>\n\n\n\n


    A reading (in german) from her new novel \u201eIm Blick\u201c. (\u201cLooking at\/In the gaze\u201d). <\/p>\n\n\n\n

    \u201cThe book is about friendship and love relationship, a story of looking and being looked at, of gender roles and sexual violence in everyday life. It contains a collage of moments in which women get involved in uncomfortable, often dangerous situations. Slowly an anger starts growing inside of the two protagonists. An anger that is strong enough to fight against sexism. \u201eFor her second novel the Viennese author is looking at topics like gender identity, subtle sexism in everyday life, sexual violence, overstepping of borders and of power structures.\u201c <\/p>\n\n\n\n

    (Missy Magazine) http:\/\/www.kremayr-scheriau.at\/bucher-e-books\/titel\/im-blick\/
    <\/p>\n\n\n\n

    15:30 Tired Eyes – Alexandra Wanderer<\/strong><\/p>\n\n\n\n


    A lecture performance. Alexandra Wanderer will present the work of L.A. based artist Seth Lower who has been using his Instagram account as a platform to explore threads of absence and autobiography since 2014 during a phase of illness which left him artistically and socially hindered. Wanderer perused through his account and made a selection of images which she subsequently categorized according to themes of interest to her and her practice. From this selection she created a narrative raising questions of not only originality but also authorship in the steady stream of scroll-down images. Tired Eyes is a work that was commissioned by the Palais des Beaux Arts Vienna.<\/p>\n\n\n\n


    \/\/\/\/ (15 min pause) \/\/\/\/<\/p>\n\n\n\n


    16:00 Sebastian Meyer<\/strong><\/p>\n\n\n\n


    Improvisation on Buchla Music Easel<\/p>\n\n\n\n


    16:30 Josef Pays – Adele Knall<\/strong><\/p>\n\n\n\n


    Voice, Selfbuilt Pedals, E-Bass and a Looper are the basics of this Solo Set-up. Dronish patterns and popish songsketches mix together and are used in an improvisational way.<\/p>\n\n\n\n

    <\/p>\n\n\n\n

    17:00 Sweety Nicks<\/strong><\/p>\n\n\n\n


    <\/strong>“Sweety Nicks” is a tribute band formed in Vienna in Nov. 2017 by Hicran Ergen & Martin Gupper as an homage to the fabulous musician Stevie Nicks. The duo will be closing this year’s Rundgang at the Academy Of Fine Arts on Sunday, playing some of their favourite Stevie Nicks’ songs”.<\/p>\n","protected":false},"excerpt":{"rendered":"\"\"<\/a>

    25. – 27.01.2019 <\/p>\n

    As a common project, the students create a space for feminist references – an installation made up of Artist Zines: referential texts, adaptations of their works in printed form, scripts for upcoming films and more. In addition to the exhibition in the class, there is a performance program (25\/01) as well as a film screening at topkino (26\/01) featuring current filmic works by students, as well as the Brazlilian artist Roberto Winter, who is currently artist in residence at the Academy.<\/p>\n","protected":false},"author":2,"featured_media":444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=443"}],"version-history":[{"count":16,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/443\/revisions"}],"predecessor-version":[{"id":525,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/443\/revisions\/525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/media\/444"}],"wp:attachment":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}