{"id":320,"date":"2024-03-11T16:01:35","date_gmt":"2024-03-11T16:01:35","guid":{"rendered":"https:\/\/kdm.akbild.ac.at\/?p=320"},"modified":"2024-03-26T21:55:02","modified_gmt":"2024-03-26T21:55:02","slug":"guest-lecture-lisa-stuckey-investigative-aesthetics-investigative-poetics","status":"publish","type":"post","link":"https:\/\/kdm.akbild.ac.at\/?p=320","title":{"rendered":"Guest Lecture: Lisa Stuckey &#8211; Investigative Aesthetics &#8211; Investigative Poetics"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>March 13, 2024 | 2PM<\/li>\n\n\n\n<li>Department Art and Time | Media<\/li>\n\n\n\n<li>Academy of Fine Arts Vienna<\/li>\n\n\n\n<li>Semperdepot, L\u00e9hargasse 6-8, 1060 Vienna<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1024x683.jpg\" alt=\"\" class=\"wp-image-321\" srcset=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1024x683.jpg 1024w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-300x200.jpg 300w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-768x512.jpg 768w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Image credit: Forensic Architecture: Towards an Investigative Aesthetics (2017), Investigative installation \u201cDrone Strike in Miranshah\u201d, Museu d\u2019Art Contemporani de Barcelona, \u00a9 kunst-dokumentation.com<\/em><\/figcaption><\/figure>\n\n\n\n<p>Oscillating between scientific and rhetorical evidence, the inquiries by Forensic Architecture have been putting notions of arts and aesthetics, law and justice to the test for more than a decade. Emerging research branches into diverse transdisciplinary currents, one of which explores media-historic and theory-political genealogies of \u201cinvestigative aesthetics\u201d: Drawing from her book Forensische Verfahren in den zeitgen\u00f6ssischen K\u00fcnsten (De Gruyter 2022), Lisa Stuckey\u2019s guest lecture will elucidate Forensic Architecture\u2019s para-juridical exhibition practice, discussing display strategies and evolving attention economies. Building on this analysis, the research agency\u2019s investigative methodologies will be juxtaposed to those employed by artists such as M. NourbeSe Philip, Constanze Ruhm, and Lawrence Abu Hamdan \u2014 revealing a tension between \u201cInvestigative Aesthetics\u201d and \u201cInvestigative Poetics\u201d within forensic procedures in the contemporary arts.<\/p>\n\n\n\n<p>Dr. Lisa Stuckey is a cultural theorist and art critic. Her work revolves around contemporary visual cultures, forensic art practices, media aesthetics, and critical legal studies. She studied at the Academy of Fine Arts Vienna and pursued her doctorate as fellow of the IFK International Research Center for Cultural Studies with a research appointment at Goldsmiths, University of London. Lisa Stuckey\u2019s research has led to fellowships and lecturer posts at, amongst others, the Institute for Interdisciplinary Legal Studies at the University of Lucerne, the Zentralinstitut f\u00fcr Kunstgeschichte in Munich, and the University of Arts Linz. Currently, she is senior scientist in the project \u201cTransform\u201d at the University of Applied Arts Vienna. In spring\/summer 2024, she will be a fellow at the K\u00e4te Hamburger Centre for Advanced Study \u201cinHerit. Heritage in Transformation\u201d in Berlin.<\/p>\n\n\n\n<p><a href=\"https:\/\/lisastuckey.net\/\">https:\/\/lisastuckey.net\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<a href=\"https:\/\/kdm.akbild.ac.at\/?p=320\"><img width=\"1024\" height=\"683\" src=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1-1024x683.jpg\" class=\"featured-image wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1-1024x683.jpg 1024w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1-300x200.jpg 300w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1-768x512.jpg 768w, https:\/\/kdm.akbild.ac.at\/wp-content\/uploads\/2024\/03\/MACBA_web-1.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><p>WED 13.03.2024 | 2pm<\/p>\n<p>Oscillating between scientific and rhetorical evidence, the inquiries by Forensic Architecture have been putting notions of arts and aesthetics, law and justice to the test for more than a decade. Emerging research branches into diverse transdisciplinary currents, one of which explores media-historic and theory-political genealogies of \u201cinvestigative aesthetics\u201d: Drawing from her book Forensische Verfahren in den zeitgen\u00f6ssischen K\u00fcnsten (De Gruyter 2022), Lisa Stuckey\u2019s guest lecture will elucidate Forensic Architecture\u2019s para-juridical exhibition practice, discussing display strategies and evolving attention economies.<\/p>\n","protected":false},"author":2,"featured_media":323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dates"],"_links":{"self":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=320"}],"version-history":[{"count":5,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/320\/revisions"}],"predecessor-version":[{"id":468,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/320\/revisions\/468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=\/wp\/v2\/media\/323"}],"wp:attachment":[{"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kdm.akbild.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}